"The Doctor, &c., vol. 1 (of 7)" by Robert Southey is a story that throws us into the eccentric world of Doctor Daniel Dove, his trusty horse Nobs, and a cast of colorful characters as they navigate funny escapades and thought-provoking observations about society. The book seems to be about home life, what it means to be a writer, and how big ideas can be found in everyday things. Kicking off with a family dinner full of chatter, where the narrator considers how some thoughts and events "ought to be written in a book," the story is packed with playful jokes and support from the characters, giving a fun but thoughtful vibe. The narrator struggles with finding inspiration while dealing with distractions and joking about the writing process, leading to a sleepless night of imagining stories that need to be told; this start to the book hints at a story full of conversations and interesting characters, setting up a funny and reflective mood that invites readers into Doctor Dove's strange world.

The doctor, &c., vol. 1 (of 7)
By Robert Southey
Enter a world of quirky characters, whimsical adventures, and witty observations as a doctor's journey unfolds through humor and social commentary.
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Released
2022-11-01
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Summary
About the AuthorRobert Southey was an English poet of the Romantic school, and Poet Laureate from 1813 until his death. Like the other Lake Poets, William Wordsworth and Samuel Taylor Coleridge, Southey began as a radical but became steadily more conservative as he gained respect for Britain and its institutions. Other romantics such as Byron accused him of siding with the establishment for money and status. He is remembered especially for the poem "After Blenheim" and the original version of "Goldilocks and the Three Bears".
Robert Southey was an English poet of the Romantic school, and Poet Laureate from 1813 until his death. Like the other Lake Poets, William Wordsworth and Samuel Taylor Coleridge, Southey began as a radical but became steadily more conservative as he gained respect for Britain and its institutions. Other romantics such as Byron accused him of siding with the establishment for money and status. He is remembered especially for the poem "After Blenheim" and the original version of "Goldilocks and the Three Bears".
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