Cubists and Post-Impressionism

"Cubists and Post-Impressionism" by Arthur Jerome Eddy is a journey into the revolutionary art movements of the early 1900s, spotlighting Cubism and Post-Impressionism and examining the dynamic period when artists broke away from Impressionism, sparking controversy and redefining artistic expression; the narrative ignites with the International Exhibition of Modern Art in 1913, a pivotal event that triggered intense arguments about originality and modernism, with the author emphasizing that these tumultuous changes were critical for art’s growth, challenging readers to embrace the evolving definition of artistic value amidst the apparent disorder of new art forms.