"The Title: A Comedy in Three Acts" by Arnold Bennett is a witty play set in the early 1900s, exploring themes of social class, the allure of honors, and familial discord against the backdrop of World War I. The story centers on the Culver family, particularly Mr. Culver, who must decide whether to accept a baronetcy, a decision that stirs conflicting opinions within his family, especially from Mrs. Culver, as well as their children, Hildegarde and John. The play begins in the Culver home, richly decorated after Christmas, where Hildegarde writes and John offers lively commentary, touching on topics like the value of food and significance of titles, all while war rages on. The arrival of Mr. Tranto brings another layer to the social commentary, weaving in humor, class tensions, and a sense of absurdity tied to societal expectations, especially with references to articles written dissecting the worth of titles.

The Title: A Comedy in Three Acts
By Arnold Bennett
Amidst societal upheaval and war, a family's debate over the value of a title ignites a comedic clash of classes and values.
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2004-06-01
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Summary
About the AuthorEnoch Arnold Bennett was an English author, best known as a novelist, who wrote prolifically. Between the 1890s and the 1930s he completed 34 novels, seven volumes of short stories, 13 plays, and a daily journal totalling more than a million words. He wrote articles and stories for more than 100 newspapers and periodicals, worked in and briefly ran the Ministry of Information during the First World War, and wrote for the cinema in the 1920s. Sales of his books were substantial, and he was the most financially successful British author of his day.
Enoch Arnold Bennett was an English author, best known as a novelist, who wrote prolifically. Between the 1890s and the 1930s he completed 34 novels, seven volumes of short stories, 13 plays, and a daily journal totalling more than a million words. He wrote articles and stories for more than 100 newspapers and periodicals, worked in and briefly ran the Ministry of Information during the First World War, and wrote for the cinema in the 1920s. Sales of his books were substantial, and he was the most financially successful British author of his day.
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