"Books and Persons; Being Comments on a Past Epoch, 1908-1911" by Arnold Bennett is a compilation of early 20th-century essays that capture the author's reflections on literature, writers, and the artistic climate of his time. Drawn from articles Bennett wrote for a weekly paper, the book looks at standards for literature, the roles of authors and publishers, and concepts of beauty in writing. The book starts by showcasing Bennett's critical style, using discussions of writer Wilfred Whitten to frame his own views on prose and criticism. Bennett makes clear his take on the literary world, noting difficulties faced by dedicated authors in an era sometimes too focused on less meaningful work; he highlights sincerity in prose. This collection provides a look into Bennett's literary opinions and social commentary in a bygone era.
Books and Persons; Being Comments on a Past Epoch, 1908-1911
By Arnold Bennett
Venture into an early 20th-century literary landscape, where a critic dissects the works of his contemporaries, championing the importance of artistic excellence in a changing world.
Summary
About the AuthorEnoch Arnold Bennett was an English author, best known as a novelist, who wrote prolifically. Between the 1890s and the 1930s he completed 34 novels, seven volumes of short stories, 13 plays, and a daily journal totalling more than a million words. He wrote articles and stories for more than 100 newspapers and periodicals, worked in and briefly ran the Ministry of Information during the First World War, and wrote for the cinema in the 1920s. Sales of his books were substantial, and he was the most financially successful British author of his day.
Enoch Arnold Bennett was an English author, best known as a novelist, who wrote prolifically. Between the 1890s and the 1930s he completed 34 novels, seven volumes of short stories, 13 plays, and a daily journal totalling more than a million words. He wrote articles and stories for more than 100 newspapers and periodicals, worked in and briefly ran the Ministry of Information during the First World War, and wrote for the cinema in the 1920s. Sales of his books were substantial, and he was the most financially successful British author of his day.
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