"The Perfect Wagnerite: A Commentary on the Niblung's Ring" by Bernard Shaw is an analysis of Richard Wagner's opera cycle, "The Ring of the Nibelung", aiming to illuminate Wagner's concepts and the philosophical themes present in the operas, with focus on the characters and social critiques embedded in the story. Tailored for both Wagner enthusiasts and newcomers, Shaw's insights seeks to clarify the deeper meanings behind the operatic narrative, including Shaw’s preface to the first edition, where he lays out his intentions. He addresses the misunderstandings he perceives in audiences regarding Wagner’s art, stressing that understanding Wagner requires a grasp of his revolutionary ideas. Shaw emphasizes that “The Ring” is not a mere mythos but a reflection of contemporary societal dilemmas, positioning Wagner as a figure who challenged norms through both music and ideological thought; this establishes a comprehensive foundation for the intricate analysis that follows, engaging the reader in a deeper exploration of Wagner's operatic genius.
The Perfect Wagnerite: A Commentary on the Niblung's Ring
By Bernard Shaw
Uncover the revolutionary ideas hidden within a complex opera cycle, as an author dissects its characters, social critiques, and philosophical themes.
Summary
About the AuthorGeorge Bernard Shaw, known at his insistence as Bernard Shaw, was an Irish playwright, critic, polemicist and political activist. His influence on Western theatre, culture and politics extended from the 1880s to his death and beyond. He wrote more than sixty plays, including major works such as Man and Superman (1902), Pygmalion (1913) and Saint Joan (1923). With a range incorporating both contemporary satire and historical allegory, Shaw became the leading dramatist of his generation, and in 1925 was awarded the Nobel Prize in Literature.
George Bernard Shaw, known at his insistence as Bernard Shaw, was an Irish playwright, critic, polemicist and political activist. His influence on Western theatre, culture and politics extended from the 1880s to his death and beyond. He wrote more than sixty plays, including major works such as Man and Superman (1902), Pygmalion (1913) and Saint Joan (1923). With a range incorporating both contemporary satire and historical allegory, Shaw became the leading dramatist of his generation, and in 1925 was awarded the Nobel Prize in Literature.
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