An Attempt to Explain the Origin and Meaning of the Early Interlaced Ornamentation Found on the Sculptured Stones of Scotland, Ireland, and the Isle of Man

"An Attempt to Explain the Origin and Meaning of the Early Interlaced Ornamentation Found on the Sculptured Stones of Scotland, Ireland, and the Isle of Man" by Gilbert J. French is a mid-1800s study that examines the roots of detailed, woven-like designs in old British artwork, specifically stonework. The book journeys through time, charting cultural shifts and impacts of both pre-Christian and Christian beliefs on British art. French makes the case that the interlaced patterns seen on these stones originated from ancient Britons' skills in basket weaving; the designs mirror the art of traditional weaving. He links progression in basketry to stonework, arguing that they are naturally connected. Supporting this thesis, French uses historical context, keen observation, and archeological evidence to explain the long-lasting effects of basket-making on British art. His theory suggests these designs are a symbolic blend of age-old craft and changing religious symbols.