An Apology for the Colouring of the Greek Court in the Crystal Palace

"An Apology for the Colouring of the Greek Court in the Crystal Palace" by Owen Jones is a compelling defense of color's significance in ancient Greek architecture during the Victorian era. It argues against the common view of stark white classical monuments, proposing instead that these structures were once vibrant and richly colored. The book carefully examines historical and artistic evidence, challenging the bias against polychromy in classical art. Jones gathers insights from experts like G. H. Lewes and analyses historical texts to suggest the Greeks used a broad spectrum of color in their artistic creations. The piece highlights that color was not merely decorative, but essential to how ancient Greek sculptures were understood and appreciated, with many details relying on now-faded paint. It champions a new understanding of Greek monuments, urging readers to rethink long-held beliefs about classical art's lasting impact.