"We Women and Our Authors" by Laura Marholm is an exploration of how late 19th-century literature shaped women's perceptions of themselves and their roles in society. The book examines the rising sense of independence and self-awareness among women, largely influenced by portrayals in literature crafted by male authors of the period. Marholm highlights the effect of these portrayals on women’s developing consciousness, as they began striving for autonomy and individuality, spurred by writers like Gottfried Keller and Paul Heyse and others. This analysis sets the stage for a broader critique of literature's role in the gender dynamics of the time, revealing how it both reflected and shaped women's evolving identities.

We Women and Our Authors
By Laura Marholm
Witness the awakening of female individuality in the late 19th century, inspired and shaped by the pens of prominent male authors.
Summary
About the AuthorLaura Katharina Marholm (1854–1928) was a Baltic-German writer of literary criticism, biographies about women, and novels. The main characters in her novels were women who felt fulfilled in marriage. Marholm was a New Woman feminist that wrote about feminist issues. Due to some of her beliefs, some other feminists did not consider Marholm to be among them. She believed that literature could be used to help gender relations. Some of Marholm's works were part of "feminist literary criticism" known as gynocriticism, 70 years before the term was coined, with much of that work being focused on Nordic women authors.
Laura Katharina Marholm (1854–1928) was a Baltic-German writer of literary criticism, biographies about women, and novels. The main characters in her novels were women who felt fulfilled in marriage. Marholm was a New Woman feminist that wrote about feminist issues. Due to some of her beliefs, some other feminists did not consider Marholm to be among them. She believed that literature could be used to help gender relations. Some of Marholm's works were part of "feminist literary criticism" known as gynocriticism, 70 years before the term was coined, with much of that work being focused on Nordic women authors.