"Parts of Speech: Essays on English" by Brander Matthews, is a series of writings that explores the nature of the English language, primarily from the viewpoint of the people that actually speak it. Expect insight into how language grows, how its used, and what makes it change over a given time. The book's structure hints at the author's academic credentials with discussions of spelling, regional variations between American and British English, and how literature and culture shape our language. It seems that Matthews starts by establishing English's deep history, going all the way back to King Alfred, and he suggests that literature is critical for uniting English speakers, giving them a way to share ideas and cultural traditions. The essays point to the significant impact of different cultures and dialects, like those from Teutonic, Celtic, and Norman backgrounds combined together. Despite these changes, Matthews appears to maintain that English still embraces its poetic side, its unique qualities and the language continues to be shaped by the experiences and innovative ideas of its users.

Parts of Speech: Essays on English
By Brander Matthews
Discover how the voices and stories of its speakers shape English, linking modern expression to its ancient roots and ever-evolving identity.
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2022-02-26
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About the AuthorJames Brander Matthews was an American academic, writer and literary critic. He was the first full-time professor of dramatic literature at Columbia University in New York and played a significant role in establishing theater as a subject worthy of formal study by academics. His interests ranged from Shakespeare, Molière, and Ibsen to French boulevard comedies, folk theater, and the new realism of his own time.
James Brander Matthews was an American academic, writer and literary critic. He was the first full-time professor of dramatic literature at Columbia University in New York and played a significant role in establishing theater as a subject worthy of formal study by academics. His interests ranged from Shakespeare, Molière, and Ibsen to French boulevard comedies, folk theater, and the new realism of his own time.
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