"Music Talks with Children" by Thomas Tapper is an educational guide written in the late 19th century. This work aims to engage children in conversations about music, highlighting its beauty, significance, and the joy that can come from active participation rather than mere rote learning. Tapper emphasizes the importance of music as an art form that nurtures joy, order, and a sense of community, challenging conventional notions about children's capability to understand and appreciate music deeply. The opening of the book sets a reflective tone, beginning with children's innocence in discovering music and the challenges they face in their learning journeys. Tapper illustrates through a dialogue between a master and a child that genuine understanding and appreciation of music come from the heart and not superficial examination. He aims to encourage children to see music as a source of inner light and happiness. Furthermore, he stresses the significance of diligence, selfless service to others, and the joy found in music, framing these discussions in the context of personal growth and emotional connection with the art form. (This is an automatically generated summary.)

Music Talks with Children
By Thomas Tapper
"Music Talks with Children" by Thomas Tapper is an educational guide written in the late 19th century. This work aims to engage children in conversati...
Thomas Tapper was a musician, composer, lecturer, writer, teacher, and editor, who was born in Canton, Massachusetts, and studied music at the American College of Musicians. He wrote many books on music, mostly for children and young adults. His most famous being Lives of Great Composers picture book series. He also wrote the First Year Series for musical instruction, which included First Year Musical Theory, First Year Counterpoint, First Year Harmony, Second Year harmony, First Year Analysis, and First Year Melody Writing. He was the editor of "The Musician," and promoted rural music and community music. Tapper also promoted rote learning in the rote-note controversy of the late 19th Century music education. His students included Isabel Stewart North and Carrie Burpee Shaw.