"Amores: Poems" by D. H. (David Herbert) Lawrence is a selection of poems from the early 1900s. D.H. Lawrence uses striking language to investigate the complex topics of love, the natural world, and the range of emotions humans feel. The poems show both the happiness and challenges of being in love, resonating with Lawrence’s larger interest in connections between people. Through vivid pictures and heartfelt language, the poems explore feelings about affection, grief, and how time passes. The poems cover numerous feelings, from youth and gentle affection to the sharper issues of being apart from another and feeling sorry for past actions. Lawrence often uses nature to highlight the emotions he discusses, imbuing each verse with intense emotions and genuine styles as it faces topics such as wanting, disloyalty, and thinking about life, giving readers a glimpse into what it means to be human and the difficulties of love.

Amores: Poems
By D. H. (David Herbert) Lawrence
Experience raw emotion and nature's beauty intertwined, as poems explore love's joys, heartbreaks, and the depth of human longing.
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2007-09-07
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Summary
About the AuthorDavid Herbert Lawrence was an English novelist, short story writer, poet, playwright, literary critic, travel writer, essayist, and painter. His modernist works reflect on modernity, social alienation and industrialization, while championing sexuality, vitality and instinct. Four of his most famous novels — Sons and Lovers
(1913), The Rainbow (1915), Women in Love (1920), and Lady Chatterley's Lover (1928)— were the subject of censorship trials for their radical portrayals of romance, sexuality and use of explicit language.
David Herbert Lawrence was an English novelist, short story writer, poet, playwright, literary critic, travel writer, essayist, and painter. His modernist works reflect on modernity, social alienation and industrialization, while championing sexuality, vitality and instinct. Four of his most famous novels — Sons and Lovers (1913), The Rainbow (1915), Women in Love (1920), and Lady Chatterley's Lover (1928)— were the subject of censorship trials for their radical portrayals of romance, sexuality and use of explicit language.
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